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most business video fails for one reason no one wants to admit.

  • Writer: lukewhite
    lukewhite
  • Jan 23
  • 3 min read

There is no shortage of video being made. Brand films, explainers, social edits and campaign videos are produced constantly, and on the surface much of it looks perfectly competent. It is well shot, well lit, carefully edited, and approved by everyone internally.


And yet, a large proportion of it quietly fails.


It does not get watched for long. It is not remembered. It does not change perception, behaviour, or momentum in any meaningful way.


The reason is rarely budget, attention spans, or even creativity. More often, it is structural.


Most video is approved internally, not designed externally.


Committees are not audiences

Inside organisations, video is shaped by process. A brief is written, stakeholders are consulted, feedback is gathered, and consensus is reached. By the time the final version is approved, the video has successfully passed through brand, legal, leadership, marketing, and sometimes HR.


It is safe. It is accurate. It represents everyone.


And in doing so, it often represents no one.


Committees do not watch videos. Audiences do.


Audiences are distracted, impatient, and selective. They do not care that something has been carefully signed off. They care whether it speaks to them, reflects their reality, feels relevant, and respects their time.


Internal alignment matters, but when it becomes the primary design constraint, video stops being communication and starts becoming documentation.


How clarity gets diluted

This rarely happens through a single bad decision. It happens gradually.


A sharper opening line is softened to be more inclusive. A clearer point of view is reframed to avoid excluding anyone. Specific language is replaced with broader phrasing so it applies to more people.


Each change makes sense in isolation. Collectively, they erode clarity.


The result is video that explains everything but says nothing. Content that is technically correct, visually polished, and emotionally inert.


There is no tension, no friction, and no reason for the viewer to lean in. Most importantly, there is no clear sense that the video was made for them.


Approval is not effectiveness

One of the most common mistakes is confusing internal comfort with external impact. If everyone internally feels okay about a video, it can feel successful before it is even released.


But approval is not a performance metric.


A video can be on brand, factually accurate, and beautifully produced, and still fail to do the job it was meant to do. Effectiveness lives outside the organisation, in feeds, inboxes, websites, and moments where attention must be earned rather than assumed.


Most viewers will not give a video the benefit of the doubt. They will not rewatch it to understand nuance. If the message is not clear and relevant quickly, they move on.


Designing for the outside world

The strongest video content starts from a different question.


Instead of asking what everyone internally will sign off on, it asks what the viewer actually needs to hear next.


That shift changes everything. It forces clarity. It prioritises relevance over completeness. It accepts that not everything needs to be said, only the right thing.


This does not mean ignoring internal stakeholders. It means reframing their role. Internal teams provide accuracy, context, and guardrails. External audiences determine tone, pacing, language, and focus.


When those priorities are reversed, video starts working again.


Strategy before production

This is why video strategy matters more than formats or platforms. Without a clear strategic lens, video becomes reactive. A campaign here, a social edit there, a response to the feeling that a video is probably needed.


With strategy, content becomes intentional. Each piece has a role, messages are prioritised, and assets are designed to evolve and adapt over time.


Most importantly, strategy creates permission to make decisions in service of the audience, even when those decisions are uncomfortable internally.


The quiet cost of playing it safe

Safe video rarely fails loudly. It does not cause backlash or create problems. It simply disappears.


Over time, that has a cost. Budget is spent without momentum. Opportunities are missed. Skepticism grows about whether video really works.


In reality, video does work, when it is allowed to be designed for the people it is meant to reach.


A final thought

If your organisation has ever said “let’s make it a bit safer,” “can we include this as well,” or “we need to make sure everyone is happy with it,” you are not doing anything wrong. You are doing what most organisations do.


But if your video content feels polished yet ineffective, it may be worth asking a harder question.


Who was this really designed for?


If this sounds familiar, you are not alone.


We work with organisations that want their video content to be clearer, more intentional, and more effective, without defaulting to safe, forgettable work.



Silhouettes of a film crew with boom mic and a person holding papers in an outdoor setting at sunset, with cityscape in the background.

 
 
 

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